It takes a unique kind of sound to truly capture the sonic frequency of the modern age.
Incorporating an eclectic mashup of genres, hyperpop has boldly exaggerated the DNA of more traditional pop music to become its very own maximalist beast.
Born from the trailblazing production ethos of PC Music, SOPHIE and Charli XCX, hyperpop’s glitchy, internet-obsessed aesthetic was emblazoned by the popularity of TikTok videos, YouTube and Twitch streaming. Empowered by DIY home software like Splice and BandLab, hyperpop’s idiosyncratic visual language seems to be just as important as the tracks themselves.
This is hyperpop: your new playlist for 2021.
The Origins of Hyperpop
Founded in 2013 by British producer and godfather of hyperpop, A.G. Cook, PC Label became the lynchpin for the collaborative spirit of hyperpop.
Playfully reinventing the straight-lipped, serious-demeanour of the underground music scene, Cook’s record label and art collective promoted a more chaotic and parodic inversion of pop music from the 1990s and 2000s.
Bringing in the likes of Hannah Diamond, GFOTY, and Danny L Harle, PC Music subverted musical tropes, manufacturing a synthetic, glitched-out landscape that laid the foundations for later hyperpop superstars like Charli XCX.
Slicing up the concept of a ‘professional studio’ with bedroom beats, hyperpop’s visual language quickly became an integral part of the genre, with crude cuts, pixelated pop references, memes, and green screens establishing a new symbolic paradigm.
A fundamental idea simmering beneath the surface of hyperpop quickly reared its head: Who is ‘allowed’ to become a popstar and why? Who defines the parameters?
Indeed, when A.G. Cook was invited to curate the hyperpop playlist for Spotify in 2019, he again blew-up any one, monolithic idea of hyperpop, causing discord and confusion amongst its many listeners when he added Lil Uzi Vert to the playlist. Surely, he didn’t belong here?
Still, Cook’s continued inversion of the status-quo is fundamental to the shape of hyperpop’s sound.
Here are some of the albums that are crucial to hyperpop’s sonic composition.
Pop 2 (2017)
The fourth mixtape by UK artist Charli XCX, Pop 2 was a crucial step in establishing hyperpop’s global popularity.
Emerging from the relative humdrum of the pop industry in 2017, Pop 2 features an incredible roster of talent that shines across the mixtape’s 10 tracks.
Recorded just a few months before its release, the mixtape was again produced by hyperpop godfather A.G. Cook, who expressed a desire to completely ‘restart in terms of the image and style of it’.
1000 Gecs (2019)
The debut album of American duo 100 Gecs, 1000 Gecs is one hell of a ride.
Piloted by the high-energy Laura Les and Dylan Brady, the two trawled the archives of modern pop to execute one of the most wildly inventive albums of the genre, again helping hyperpop find a brand new audience.
Fuelled by its appropriately named hit single ‘Money Machine’, 1000 Gecs released with Dog Show Records.
Reflections (2019)
Another banger by PC Music, Hannah Diamond’s Reflections dropped in November 2019.
The first full-length album by Diamond, the LP embodies some of hyperpop’s more overarching characteristics: heavy on vocal processing and maximalist production.
Examining the heartstrings of a breakup, Diamond’s gauzy, human-oriented storytelling marks a shift from her early work concerning futuristic aesthetics.
Feeling Cool and Normal (2020)
Released in September 2020, Feeling Cool and Normal is the latest release from Chicago-born artist, Fraxiom. A rising star in the world of hyperpop, the zany, charismatic four-track EP features production by Umru, Gupi, and Underscores.
Laden with sweet bubblegum bass, Fraxiom’s kaleidoscopic sound locates the strange humour emanating from long bouts in lockdown.
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